A running record of what is happening at the wheel, in the glaze lab, and around the kiln. Each entry marks a small moment in the life of the studio.
Unloaded the kiln this morning. The matte sage glaze settled exactly as we hoped on the breakfast bowls. A few pieces show subtle iron speckling near the foot — those will go to the seconds shelf rather than the main release.
Mixed a small batch with extra iron oxide and applied it to three test vases. The surface breaks nicely over the ribbed texture, but the speckle is heavier than intended. Adjusting the soak time for the next round.
Twelve hand-thrown vases with a raw clay foot and cream matte interior are ready. Each piece is numbered and signed. The full set sold through in two days; a waiting list is open for the next batch.
Hosted a small group of collectors and curious neighbors. We walked through centering, pulling walls, and trimming a foot ring. Several attendees tried their hand at the wheel — a few bowls survived the experience.
The matte surface is durable, but dishwasher detergents can gradually dull the texture. A quick rinse with warm water and a soft sponge keeps the finish intact. Full care notes are included with every order.
From the studio journal
A look at the process behind our limited runs, written for those who live with our pieces.
Process
A morning at Sanganni Studio, following a single bowl from a raw ball of clay to a finished form on the wheel.
Read the postTechnique
How we develop the soft, stone-like matte textures that define our collection, one test tile at a time.
Read the postCare
Simple habits for washing, storing, and using your handmade pieces so they last through years of daily rituals.
Read the postStudio Timeline
A record of the studio's growth, from the first kiln firing to the latest limited collection. Each stage shaped the way we work with clay, glaze, and form.
2019 — The First Kiln
Sanganni began in a rented garage with a single second-hand wheel and a small electric kiln. The first firing produced just twelve bowls, each with visible fingerprints in the glaze. Those early imperfections taught us to embrace the handmade.
2021 — Signature Matte Glazes
After months of test tiles and failed batches, we landed on the stone-like matte finish that now defines the collection. The breakthrough came from adjusting the silica-to-alumina ratio, giving our tableware its soft, tactile surface that catches light differently from every angle.
2023 — Limited Runs Begin
We released our first numbered series of breakfast bowls in three glaze variations. Each run was capped at fifty pieces, and the entire collection sold out within two weeks. This confirmed our belief that collectors value scarcity paired with honest craft.
2024 — Sculptural Vases
The studio introduced a line of sculptural vases inspired by dried coastal grasses. These taller, asymmetric forms pushed our throwing skills and required a new approach to glazing. The series now sits in private collections across three countries.
2025 — The Visual Journal
We launched a visual journal documenting each stage of production, from raw clay preparation to the final quality check. The journal includes care guides, glaze experiments, and notes on how we pack and ship each piece. It has become a quiet space for collectors to connect with the work.